- Practicing Well - A must read report!
- Creative Self-Care
- Creative evaluation
- Does curiosity signal a maturing of the sector?
- Timelapse from Truro
- Fresh Arts on Referral
- Fresh Arts on Referral Evaluation
- Guardian Public Art Top 10
- CONNECT Website Live
- Willis Newson in the press
- Engineering art
- Hospital Arts Managers’ Forum
- Recycled garden - Dolphin School Public Art Project
- Photography commissions for 3Ts hospital redevelopment will capture spirit of place
- CONNECT Public Art Programme Launch
- Nottingham Family NHS project announced
- Healthcare Estates 2016
- Hospital Matters & Hospital Times feature Willis Newson projects
- Ten Commandments of Self Care for Christmas and Beyond
- The Question of Quality
- Willis Newson picks up two honours at the Building Better Healthcare Awards
- Creative and Credible in Arts & Health Journal
- EHD Highly Commended Award
- The Cove Macmillan Support Centre wins RICS commendation
- Thames Lodge highly commended by European Healthcare Design Awards 2016
- Macmillan Brighton artwork installed
- Installation in Ipswich
- Laura Ford sculpture installed at Southmead Hospital Bristol
- European Healthcare Design 2016
- Healthcare Design & Management Magazine
- Bristol Royal Infirmary facade almost complete
- News Archive
- Art for new hospital buildings in Brighton
- Alive! Evaluation Film
- Arts in Health Conference & Showcase - Feb 2016
- Finalists for Surface Design Awards 2016
- BBH Awards 2015
- Spaces for Dementia Project
- Festival surprises boost people's day
- Innovative sculpture solves practical issues for Bristol Royal Infirmary
- Green Sky Thinking
- Community engagement shapes hospital project
- Southmead Hospital's public art film
- Fresh Arts Festival 2015
- Design in Mental Health conference
- A Better Place To Be
- Elgar House to get new artworks
- Artists appointed to Bristol hospitals project
- Work begins on art for Tameside Macmillan Unit
- What does creativity mean to you? Artists respond
- Creative & Credible
- Harnessing creativity
- Creative and credible evaluation training
- Fresh Arts Festival
- What makes you feel well?
- Backing the stars of tomorrow
- Woolverstone Macmillan Centre Ipswich
- Call for designer to create visual identity for new shared workspace in Stokes Croft
- dOCUMENTA (13): Thoughts
- Vinyl treatments create 'meadow forest' feel
- Veil: A new face for the Bristol Royal Infirmary
- Building a framework for curiosity
- A personal experience of art in hospitals
- Creative Networking
- What did the students say?
- Commission for Dolphin School
- Anatomy for life
- 2014 Arts and Health Training Courses
- Focus on creativity
- Light Box: Evaluation 'changed people's perceptions'
- Take a risk. Dance. Sing
- The Napkin Project: Inspiring creativity
- How we are using creativity and craft to tackle dementia... one stitch at a time
- Guy's Cancer Day Unit wins BBH Award
- Creativity: it really does work!
- Evaluating Arts on Prescription
- Football, a tented city and making builders happy
- BHOC shortlisted for BBH Awards
- New designs for an ambitious city
- Patients and staff create art for new cancer unit
- Artists appointed to Brighton 3Ts project
- Architect or artist?
- New arts in health short courses at UWE
- Introducing the Library of Ideas
- A change of scenery on every floor
- Conference buzz
- What now for art in the public realm?
- Helping to evaluate Happiness
- Art programme for Southmead Hospital takes shape
- New artwork inspired by children
- Art creates 'sanctuary' in new Women's Centre
- Healthy Communities, Sustainable Places
- Willis Newson seeks to appoint an Administrator
- Arts strategy to help transform Brighton hospital
- Three architects shortlisted in BRI facade design competition
- Design competition to transform BRI facade
- Training for performers at Guy's and St Thomas'
- Willis Newson collaborating on training sessions
- Willis Newson wins RSPH Arts and Health Award
- New public artwork for Bristol's Chesterfield Hospital
- Artists recruited for new Southmead Hospital
- Celebrating ten years of Willis Newson
- New Evaluation and Research Lead appointed
- Public art and health buildings guidance and advice
- Mapping arts and health in Bristol
- Willis Newson and UWE create new role
- Community is the focus in Clevedon
- Enhancing the mental healthcare environment
- REACH final learning event
- Gloucestershire Royal Hospital's 'Utopia'
- Integrate early, delegates told
- Green light for Southmead Hospital
- Willis Newson wins Building Better Health Award
The Question of Quality
The question of quality has been in the news recently. An article by Jeremy Hunt in this month’s Art and Architecture Journal declared ‘Origin’, the recently installed £100,000, 11-metre high piece of public art overlooking the city of Belfast, “a conceptually and fundamentally bad 'piece of public art'”
We need to acknowledge that there is such a thing as bad art as well as good art. And, it comes as a welcome relief to have bad art named and shamed, because I don’t think we talk enough about quality, which is one reason I was pleased to be invited to run a training day for Creative Arts East on the subject earlier this month.
Writer, researcher and arts commentator, Francois Matarasso says “An arts programme cannot be judged good (or bad) unless the concept of good is defined. Good for what? Good for whom? Good in comparison with what?”
Quality is a relative concept. So, who should decide what is good? By what criteria? And, what does good art look like in terms of healthcare environments?
Actually, it is helpful to look at what the NHS means by quality, which it defines as ‘care that is safe, effective and provides a positive patient experience’. Those are criteria that actually transfer surprisingly well to art in a healthcare environment. But, perhaps they don’t go far enough, for art needs to be more than just safe and effective.
It is also helpful to look at recent work to define and measure quality in relation to participatory arts practice by both West Midlands Arts and Health and Artworks Cymru.
What good means to each of us will vary according to our individual practices, the contexts in which we are working and the aims and values of the projects with which we are engaged. But it is clear that we should all work to articulate what we mean by good. Only by being clear about what good is, can we benchmark our practice, measure and evaluate what we do, drive learning and continual improvement and ensure safe practice.
And we should all have a shared commitment to quality. Artists, arts managers, commissioners, health partners, funders all have a role to play in creating fertile ground for quality to evolve. The real world will conspire against us – time, money and a multitude of other factors will threaten to compromise our aspirations. But, with a clear goal to aim for and a shared commitment to get there, we stand a better chance of reaching it.
The Question of Quality training I ran for Creative Arts East was inspiring and thought provoking - “like digging goodness into the soil” said artist Kate Munroe. I am looking forward to sharing this learning journey with others through future training. But it also makes me realize that we need to review and develop our own Quality Framework. Watch this space.